(Fonda Kelly has closed as of the end of 2012) Phil Kelly was a prolific Irish-born
painter, who for 30 years made Mexico his home. (See David Lida's fine literary portrait) He was no ‘ex-pat’, his life
was truly here. He knew el D.F. inside and out and he loved it. So after he died,
in 2010, his widow Ruth (Mexican, of course), and restaurateur/provocateur
Marco Rascón of the restaurant Peces, decided that the best tribute to this
amante of all things urban would be
to create an eating and meeting place most typically Mexican: a fonda. Open barely a month, it’s not your run-of-the-mill artsy café–-and, for a change, not located in Roma or Condesa.
Fonda Kelly is installed in a charmingly faded colonial building near Tepito--our ‘South Bronx’ to some, a treasure trove of antique architecture and old-time Mexican ambience to others. Ruth explains that “this place, this neighborhood is just what Phil would have wanted. It’s called a ‘fonda’ but isn’t, at least not like the old- fashioned ones around here. We keep prices low so that it's accessible to everyone. But the food is different, more healthful than what's usually found nearby.”
Part of a neighborhood cultural center offering low-cost courses in the arts, the space is casual with a few simple tables, white walls sporting several of Kelly’s watercolors and an open kitchen stretching to the backyard.
Fonda Kelly is installed in a charmingly faded colonial building near Tepito--our ‘South Bronx’ to some, a treasure trove of antique architecture and old-time Mexican ambience to others. Ruth explains that “this place, this neighborhood is just what Phil would have wanted. It’s called a ‘fonda’ but isn’t, at least not like the old- fashioned ones around here. We keep prices low so that it's accessible to everyone. But the food is different, more healthful than what's usually found nearby.”
Part of a neighborhood cultural center offering low-cost courses in the arts, the space is casual with a few simple tables, white walls sporting several of Kelly’s watercolors and an open kitchen stretching to the backyard.
Ruth Murgía, widow of the artist |
Chef Mariana Mora’s simple but playful menu is Mexican and eclectic, and loaded with seafood. She imbues her dishes
with Spanish and North African touches while keeping her feet firmly planted
on native turf. Tapas-style starters include an hojaldre Azteca, a Provençal- style tarte topped with frijoles charros. Little vegetarian empanadas are light,
crispy/crunchy. Unusual tortas of arrenque
(herring) and salmon with capers are offered. The bacalao-filled tamal sounded intriguing but they were out on a recent visit. A summery green salad featuring rose petals is, to
quote W.C. Fields, “easy on the eyes” and a pleasure to eat.
Thursday is pozole Guerrerense day and this
bright green pipian-like soup is lightened up--perfect as a first course. Even
better is the caldo de oso, a superb
seafood soup sporting several huge New Zealand mussels and fragrant white clams.
Its heady, lightly picante broth recalls the best Manhattan clam chowder you
never had. And it’s only 25 pesos--a true bargain.
Rose petal salad |
Caldo de Oso |
While the menu stays simple during the
week, Saturday is paella day and I am confident that the chef knows what she’s
doing with the deceptively easy Spanish rice.
Desserts are basic – pays, cakes, and an unusual twist on the commonplace gelatina. Here it's flavored with anis. The coffee is superior.
The Fonda Kelly is a sure winner, well
worth the detour – the old centro histórico
is a better place for it. Caps off to the memory of Kelly and to good food
in an increasingly attractive city center.
Fonda Kelly
Calle Nicaragua 15 (about 6 blocks north of the Zócalo)
Tel. 5545-0569
Open Monday - Saturday 10 AM - 5 PM, closed Sunday
Note: the area, though quiet, can be dicey. Unaccompanied women
may feel uncomfortable walking here.
may feel uncomfortable walking here.
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An explanation from
the author: I only write what I believe. All opinions here are educated
but subjective. For the most part, I only publish reviews about places I
like, and I try to be forgiving of minor faults. Mexico City is not Paris and I
am not Michelin. If I don't like it, I don't write about it except,
in some cases where the hype or fame may merit the negative criticism. So take
it all with a grain of salt. N.G